[New-Poetry] Do you use sound recording in composing poems?
Anny Ballardini
anny.ballardini at gmail.com
Fri Jan 21 12:14:38 EST 2011
I must be really in the mood, and then there is a lot of revising to do.
On Fri, Jan 21, 2011 at 6:12 PM, Tad Richards <tad at opus40.org> wrote:
> This is something I've tried to do, and absolutely cannot.
>
>
> On Fri, Jan 21, 2011 at 11:34 AM, Halvard Johnson <halvard at gmail.com>wrote:
>
>> I don't, but I have used live radio feed in composing
>> a couple of poems.
>>
>> Hal
>>
>> "A sudden silence in the middle of a conversation
>> suddenly brings us back to essentials: it reveals
>> how dearly we must pay for the invention of speech."
>>
>> --E. M. Cioran
>>
>> Halvard Johnson
>> ================
>>
>> halvard at gmail.com
>> http://sites.google.com/site/halvardjohnson/Home
>> http://entropyandme.blogspot.com
>> http://imageswithoutwords.blogspot.com
>> http://www.hamiltonstone.org
>> <http://www.hamiltonstone.org/>
>> http://sites.google.com/site/vidalocabooks/home
>> <http://www.hamiltonstone.org/>
>> *Mainly Black<https://docs.google.com/document/edit?id=1i_JGJ_FqQldEnUq7cwjV8giYykz_tsGbTkC2EkAP3IM&hl=en&pli=1#>
>> , **Obras Públicas<https://sites.google.com/site/vidalocabooks/halvard-johnson-obras-publicas>
>> ; **The Perfection of Mozart's Third Eye and Other Sonnets<http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets>
>> ;*
>> *Organ Harvest with Entrance of Clones<http://www.amazon.com/Harvest-Entrance-Clones-Halvard-Johnson/dp/0965404390/ref=sr_1_1?ie=UTF8&s=books&qid=1283182804&sr=8-1>
>> ; **Tango Bouquet<https://docs.google.com/Doc?docid=0ATDp6rzKkBkhZGZwand2cHdfOWc1Mnh3Zw&hl=en>
>> ; **Theory of Harmony<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/fall04/theory1.pdf>
>> ; *
>> ***Rapsodie espagnole<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/rapsodi.pdf>
>> ; **Guide to the Tokyo Subway<http://www.amazon.com/Guide-Tokyo-Subway-Other-Poems/dp/0971487316/ref=sr_1_3?s=books&ie=UTF8&qid=1283183153&sr=1-3>
>> ; **The Sonnet Project<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/hsonnet.pdf>
>> ; *
>> ***G(e)nome <http://xpressed.wippiespace.com/fall03/genome.pdf>; **Winter
>> Journey <http://capa.conncoll.edu/johnson.winter.html>; **Eclipse<http://capa.conncoll.edu/johnson.eclipse.html>
>> ; **The Dance of the Red Swan<http://capa.conncoll.edu/johnson.dance.html>
>> ;*
>> *Transparencies & Projections<http://capa.conncoll.edu/johnson.transp.html>
>> *
>>
>>
>>
>>
>> On Fri, Jan 21, 2011 at 10:24 AM, Crisman Cooley <ccooley at overdomain.com>wrote:
>>
>>> I'm gathering info for an article about the influence of sound recording
>>> technologies on poetry. I'm especially interested in movement away from the
>>> page back to sound. So I'm wondering, have any on the list used sound
>>> recording in composing poems? Have you heard of anyone who does? Thanks.
>>>
>>> Crisman
>>>
>>> _______________________________________________
>>>
>>> New-Poetry mailing list
>>> New-Poetry at wiz.cath.vt.edu
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>>>
>>>
>>
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>>
>
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--
Anny Ballardini
http://annyballardini.blogspot.com/
http://www.fieralingue.it/modules.php?name=poetshome
http://www.lulu.com/content/5806078
http://www.moriapoetry.com/ebooks.html
I Tell You: One must still have chaos in one to give birth to a dancing
star!
Friedrich Nietzsche
« Stulta est clementia, cum tot ubique
vatibus occurras, periturae parcere chartae »
Giovenale
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