[New-Poetry] from the Writer's Almanac
TheOldMole
Opus40-01 at opus40.org
Sun May 3 14:29:58 EDT 2009
Speaking as the worthless guy, it makes no difference if the lines don't
get in the way of your appreciation of the poem, some difference if they do.
I wonder, though -- are there any elements of craft that are worth
discussing, or is scansion the only worthless one?
Chris Lott wrote:
> On Sun, May 3, 2009 at 9:16 AM, Judy Prince
> <jbalizsprince at googlemail.com> wrote:
>
>> Hi, Chris,
>> I keep wondering why it's such a well hidden secret that scansion depends
>> upon the scanner for the scanner's ear and eye and brain's response
>> to/interpretation of the poet's words?
>>
>
> It's not a secret. But it means that when person A posts a poem and
> person B says "it doesn't scan" then person B's response is rather
> meaningless, no?
>
>
>> Fiercesome battles have ensued about scansion and its supposed
>> only-one-way-of-reading authority. Yes, of course I'm OTTing about it here,
>> and do welcome hearing others' views. It's just that so few folk recognise
>> scansion's role as a wonderfully useful *variously-applied* medium.
>>
>
> I'm still looking for the wonderfully useful part, I guess. Maybe
> lines 2 and 6 of Baer's poems scan to one or maybe they don't. What
> difference does it make?
>
> c
>
> _______________________________________________
> New-Poetry mailing list
> New-Poetry at wiz.cath.vt.edu
> http://wiz.cath.vt.edu/mailman/listinfo/new-poetry
>
>
--
Tad Richards
Read my NY Writing Careers Examiner column today!
http://www.examiner.com/x-2862-NY-Writing-Careers-Examiner
http://www.opus40.org/tadrichards/
http://opusforty.blogspot.com/
More information about the New-Poetry
mailing list