[New-Poetry] Correspondance (a sketchbook) New Digital Art Eratio Editions

[e·ratio]

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E·ratio Editions is happy to announce the publication of Correspondance (a
sketchbook) by Joseph F. Keppler.

Correspondance (a sketchbook) by Joseph F. Keppler.  Digital art.

“What can I call this work?  Neither painting nor critique yet informed by
art, the following are sketches to me.  Rather than executed on paper,
they’re drawings designed using the pervasive computer.  These graphics
approach oeuvre subjectively, not as meticulous copies or art history
illustrations, but as some poetic efforts.  My laptop simply opens a new
capacity for thinking about art and drawing it.  As studies these are
(a)musing tributes as well as appropriate(d) attributes.”  —Joseph F.
Keppler, from the introduction.

What the cognoscenti are saying about Correspondance (a sketchbook):

“Readability and meaning construction, as well as the relation between the
visual and the literary, have been concerns of Joe’s for many years.  In
Correspondance we see Joe, who is also an astute critic on both literary
and visual art, take an artist’s approach, a visual poet’s approach, a
visual artist’s approach.  Joe Keppler is very unusual in his deep
engagement both with art history and the literary.  He’s a poet, a visual
poet, a sound poet, a sculptor of steel, a photographer, a painter, a
polyartist.  Not only in his practice but in his wide reading and viewing
of contemporary and historical work.  I don’t know anybody else as
voracious as he is not only in his own artistic practice but in learning
about art and philosophy.  He is an incredibly learned man as well as an
important poet and artist.  He shows us what it now means to be literate.”
 —Jim Andrews  Vispo-Langu(im)age

“Correspondance is suffused with correspondence, bright exchanges between
artist and subject, playful responses between form, light, color, and art
history.  Poet and sculptor, Joe Keppler brings both mediums to bear,
poetry and sculpture, word and material, hand in hand.  Keppler adds a
third-dimension to the graceful dance (Joe the humble artist says, ‘bump’)
through his lifelong study of painting and sculpture: allusions to
significant works, quotations of style, and adaptations that bring old
works to new life.  In this series of sketches, poet, artist, and art will
wheel you across the dance floors of the page.”  —Crag Hill  Poetry
Scorecard

http://www.eratiopostmodernpoetry.com/eratioeditions.html

Also available from E·ratio Editions:

#5.  Six Comets Are Coming by Gregory Vincent St. Thomasino.  Volume I of
the collected works including Go and Go Mirrored, with revised
introductions, corrected text and restored original font.

#4.  The Logoclasody Manifesto.  Gregory Vincent St. Thomasino on
logoclasody, logoclastics, eidetics and pannarrativity.  Addenda include
the Crash Course in Logoclastics, Concrete to Eidetic (on visual poetry)
and On Mathematical Poetry.

#3.  Waves by Márton Koppány.  “These works are minimalist by design, but
should we paraphrase the thought channeled therein, the effect would be
encyclopedic, ranging through philosophy, psychology, politics, and the
human emotions.”

#2.  Mending My Black Sweater and other poems by Mary Ann Sullivan.  Poems
of making conscious, of acceptance and of self-remembering, and of
personal responsibility.

#1.  Gregory Vincent St. Thomasino joins John M. Bennett In the Bennett
Tree.  Collaborative poems, images, an introduction and a full-length
critical essay pay homage to American poet John M. Bennett.

http://www.eratiopostmodernpoetry.com/eratioeditions.html


E·ratio Editions, a series of elegantly produced, quick loading e-chaps,
is reading for poetry, innovative narrative prose, critical and
theoretical essays, and digital art.  Please see the Contact page for
further guidelines and where to send.  Query editor with sample.

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