[New-Poetry] Business of poetry
Bob Grumman
bobgrumman at nut-n-but.net
Wed Oct 29 16:19:31 EST 2008
David Graham wrote:
> Students fairly commonly inquire whether there are any poets in the U.S. who
> "make a living" with their poetry.
>
> I think a simple answer is tricky. If by "make a living" one means
> royalties alone, I doubt there are many. Maybe none? I would venture to
> guess that even Billy Collins, Maya Angelou, Mary Oliver and such luminaries
> do not earn much of a white-collar wage from royalties alone.
I suspect Angelou makes a lot from her novels, which are in many public
schools.
> Certainly
> they make much more from reading and lecture fees, in any case.
>
> I once heard Donald Hall remark that he had earned more editing a single
> textbook than for all of his books of poetry combined.
>
> And how would you count someone like Mark Strand? Whatever his book sales,
> I'm sure he made most of his daily bread down the decades not in reading
> fees but in the classroom. Yet he wouldn't have been in the classroom had
> he not had a high reputation as a poet, etc.
>
> The wonderful and underappreciated Robert Francis made a valiant go of it,
> trying to live purely as a poet. He lived in poverty his whole adult life,
> accordingly. But even he had to give music lessons and such to get by, not
> to mention growing his own food and, near the end of his life, accepting
> charity to get his house painted and so forth.
>
>
I brought up "professional poets" more or less tongue-in-cheek. The
real professional poet of today in the US, it seems to me, is the
academic who is paid for his poetry not in royalties but in advancement
in teaching--just as many other academics are paid for what they write
as historians, philosophers, etc., in advancement as professors. To
agree more or less with what I take David to be saying.
--Bob G.
More information about the New-Poetry
mailing list