[New-Poetry] from the Writer's Almanac
Anny Ballardini
anny.ballardini at tin.it
Thu May 1 10:23:20 EDT 2008
Must apologize, I had to read her autobiography. Then yes, there are lesbian tones and the ending within this context has a different meaning. In my ignorance "cracked" referred to the body after a day you have been working in the fields or doing some heavy labor.
From: jforjames at aol.com
Sent: Thursday, May 01, 2008 2:30 AM
The first part of the poem doesn't do much for me, until the tree frogs (likely Hyla, Frost has
a poem on this Springtime noise, I first noticed since becoming a New Englander, though
may be its Midwestern feature too. I don't know that it's shrill or sweet but its definitely a sound
that makes itself known just as spring sets in.).
The last four lines have lesbian and Dickinson undertones which redeem the slightness
of it for me...
And we lie on our beds
Through the ecstatic night,
Wide awake, cracked open.
There will be no going back.
--
Finnegan
-----Original Message-----
From: Anny Ballardini <anny.ballardini at tin.it>
Sent: Wed, 30 Apr 2008 5:02 pm
Subject: Re: [New-Poetry] from the Writer's Almanac
It's my turn Bob (never trust a woman _they just gave on Beethoven.com: La donna e' mobile):
I like that line, all the s swinging through,
what I did not particularly like and would have left out is the very last line,
cold, brown, twigs, dirty snow, dark flows, cracked open
are already over the top in describing what she tries to summarize in the last line.
----- Original Message -----
From: Bob Grumman
To: NewPoetry: Contemporary Poetry News &Views
Sent: Wednesday, April 30, 2008 11:49 PM
Subject: Re: [New-Poetry] from the Writer's Almanac
Anny Ballardini wrote:
Poem: "April in Maine" by May Sarton, from Collected Poems: 1930-1993. © W.W. Norton & Company, 1992. Reprinted with permission. (buy now)
April in Maine
The days are cold and brown,
Brown fields, no sign of green,
Brown twigs, not even swelling,
And dirty snow in the woods.
But as the dark flows in
The tree frogs begin
Their shrill sweet singing,
And we lie on our beds
Through the ecstatic night,
Wide awake, cracked open.
There will be no going back.
Nice poem, Anny. I say that only because I've already gotten my daily disagreement with you out of the way. I wonder, though, if anyone would agree with me that "Their shrill sweet singing" could have been dropped to the benefit of the poem. It seems superfluous, and I personally don't like the near-rhyme of the instances of "ing" with "in."
--Bob G.
Anny Ballardini
http://annyballardini.blogspot.com/
http://www.fieralingue.it/modules.php?name=poetshome
http://www.moriapoetry.com/ebooks.html
I Tell You: One must still have chaos in one to give birth to a dancing star!
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