[New-Poetry] What I witnessed
browning
browning at splitthisrock.org
Wed Jul 2 11:04:59 EDT 2008
Sorry, Hal, hard to tell tone in email so I don't know if you're being
sarcastic. But we should all feel free to rant and rave all we want in
private (the first draft, that is) - we are living in absolutely maddening
times, after all. But what we put out in the world is another matter, just
as it is with all poems. Political, or "socially engaged" work is no
different.
**
Sarah Browning
Co-Director
Split This Rock Poetry Festival
c/o Institute for Policy Studies
1112 16th Street, NW, Suite 600
Washington, DC 20036
<mailto:browning at splitthisrock.org> browning at splitthisrock.org
<http://www.splitthisrock.org/> www.splitthisrock.org
202-787-5210
_____
From: new-poetry-bounces at wiz.cath.vt.edu
[mailto:new-poetry-bounces at wiz.cath.vt.edu] On Behalf Of Halvard Johnson
Sent: Wednesday, July 02, 2008 10:55 AM
To: NewPoetry: & Views
Subject: Re: [New-Poetry] What I witnessed
Just so. As for me, I always write only the best work
I am capable of.
Hal
"Oil separation is natural."
--Anon.
Halvard Johnson
================
halvard at earthlink.net
http://home.earthlink.net/~halvard/index.html
http://entropyandme.blogspot.com
http://imageswithoutwords.blogspot.com
http://www.hamiltonstone.org
http://home.earthlink.net/~halvard/vidalocabooks.html
On Jul 2, 2008, at 9:13 AM, browning wrote:
So we just have to be good readers/critics, as always. And as poets, we
should apply our highest standards to all our poems, as always.
**
Sarah Browning
Co-Director
Split This Rock Poetry Festival
c/o Institute for Policy Studies
1112 16th Street, NW, Suite 600
Washington, DC 20036
<mailto:browning at splitthisrock.org> browning at splitthisrock.org
<http://www.splitthisrock.org/> www.splitthisrock.org
202-787-5210
_____
From: new-poetry-bounces at wiz.cath.vt.edu
[mailto:new-poetry-bounces at wiz.cath.vt.edu] On Behalf Of John Jeffrey
Sent: Wednesday, July 02, 2008 10:08 AM
To: NewPoetry: Contemporary Poetry News & Views
Subject: Re: [New-Poetry] What I witnessed
-- "Now, was that applause for me, for the poem, or for the sentiments in
the poem? You know, applause can be so ambiguous."
THAT is what (at least) I am talking about, that sentiment makes many people
raise their opinion of a poem, praising flabby, bland poems to the status of
"powerful" if they agree with the point of view put forward by the poet.
John Jeffrey
--- On Wed, 7/2/08, David Graham <grahamd at ripon.edu> wrote:
From: David Graham <grahamd at ripon.edu>
Subject: [New-Poetry] What I witnessed
To: "new-poetry at wiz.cath.vt.edu & Views" <new-poetry at wiz.cath.vt.edu>
Date: Wednesday, July 2, 2008, 9:00 AM
I haven't read CD Wright's book & have no opinion on it as poetry,
journalism, or anything else. I confess her work has left me cold for some
time, but I also haven't kept up with it.
The Poetry Of Witness, though, is a phrase that I find interesting, in part
because of its basic ambiguity, coupled with the fervor with which it often
is deployed, both by fans and by skeptics.
Back in the late 1970s I witnessed a wonderful moment at a reading given by
Robert Francis. This would have been inAmherst, Massachusetts, at the Jones
Library. After reading a number of his charming, simple-seeming lyrics to
the polite murmurs of the audience, Francis then recited a fairly strident
anti-war poem--to enthusiastic applause.
The poet stood there, looking quizzical for a long moment (I am aware how
studied his performance may have been), waiting for the applause to subside
into smug silence. Then he very delicately inquired, "Now, was that applause
for me, for the poem, or for the sentiments in the poem? You know, applause
can be so ambiguous."
========================================
David Graham
grahamd at ripon.edu
Home Page:
http://web.mac.com/drjazz
Poetry Library:
http://web.mac.com/drjazz/iWeb/Site/DGPoLibrary.html
==========================================
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