[New-Poetry] 100 Poets You Should Know
Jason Quackenbush
jfq at myuw.net
Sat Nov 24 14:29:33 EST 2007
I don't know about that. James agreed that Alice Notley probably belongs
on his list and I think you'd be hard pressed to find a better living
poet. I've been absorbed with "In The Pines" for the last week or so,
and I can't remember being this knocked out by a book of poetry by a
living poet. And I don't know that there are many achievements among
living poets that are more impressive than Silliman's The Alphabet.
What I think would be interesting would not be a list of the most
visible poets, but something along the lines of what you suggested as
what a critic should know. Some sort of list of what the requirements
are for poetry literacy. I think that would be a much wider field that
would have to include ancient and non-english language poets as well,
but it might be an interesting criteria for a list of modern poets. Who
then should someone be familiar with in contemporary poetry in order to
be literate enough in poetry to be a critic of it? That I think is a
very interesting question.
Bob Grumman wrote:
> It would be interesting to compare this list to one of the most
> visible living American poets of 1950. The best ten on that list, I
> claim, would be at least two orders of magnitude better than the ten
> best on James's list. But they would not be superior to the best ten
> contemporary poets, whoever they are. (All I'm sure of is that none
> is on James's list.)
>
> --Bob G.
>
> JforJames at aol.com wrote:
>> Certainly the list is subjective, an visibilty is based on one line
>> of sight. The list is an invitation, for those so moved, to suggest
>> and lobby for other choices, as you have. Also, 100 is an arbitrary
>> round number. Could easily balloon to 105, 1120,,,
>>
>> I think my choices of Bob Holman and Patricia Smith are good ones
>> for the performance vein of American poetry. Wakefield has
>> flown under my radar; but Algarin makes sense to me. Berrigan,
>> Eshleman, Rothenberg, Padgett, all good choices for the Jason 100.
>> Finnegan
>>
>> In a message dated 11/22/2007 12:16:37 AM Eastern Standard Time,
>> jfq at myuw.net writes:
>>
>> It's an interesting point. The question I'd like to ask you is
>> visible
>> to whom? If you're talking about contemporary performance poetry,
>> they
>> don't get much more visible than Buddy Wakefield or Miguel
>> Algarin. Tom
>> Raworth, while not particularly visible on this side of the
>> atlantic, is
>> more visible in Great Britain than I think a number of the people on
>> your list are. I'll withdraw the suggestion though and in his place
>> offer Jim Carroll: the only living american poet of import to have
>> penned a alternative rock anthem; one that still gets airplay on
>> independent "underground" and alternative radio. Plus there was a
>> movie
>> about him, which is something you can't say about Jorie Graham,
>> thank
>> Christ. I didn't notice this was an american list. As for
>> anthologies, I
>> think it depends on whose anthologies you read. I don't know for
>> sure,
>> but I'd be willing to bet Clayton Eshleman and Jerome Rothenberg
>> have
>> more anthologies between them, both as editors and as poets and
>> translators than a good portion of your list combined. Anselm
>> Berrigan,
>> aside from being brilliant and a blood heir to the New York
>> School also
>> is still the director of the Poetry Project at St. Mark's Place,
>> which
>> as far as I know is the longest running spoken word series on the
>> east
>> coast.
>>
>> As for Ron Padgett, true, he's maybe not the most visible figure
>> and is
>> maybe an emotional choice. but nevertheless he's one of the few
>> poets
>> I've ever memorized, and I think I probably own more anthologies
>> that
>> he's in than I do anthologies that Maya Angelou is in. But then,
>> I don't
>> generally buy THOSE kind of anthologies. So yeah, I guess he can
>> go too.
>> Still, i think he's a poet everyone should know.
>>
>> Nothing in that drawer
>>
>>
>>
>>
>>
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