[New-Poetry] The Triggering Town by Richard Hugo
AlMaginnes at aol.com
AlMaginnes at aol.com
Sun May 13 14:51:55 EDT 2007
One of the best books, if not the best, ever for beginning and even veteran
poets. I usually use several chapters of it for my creative writing classes.
This is a poem of Hugo's that in many ways made poetry real for me:
Degrees of Gray in Philipsburg
You might come here Sunday on a whim.
Say your life broke down. The last good kiss
you had was years ago. You walk these streets
laid out by the insane, past hotels
that didn't last, bars that did, the tortured try
of local drivers to accelerate their lives.
Only churches are kept up. The jail
turned 70 this year. The only prisoner
is always in, not knowing what he's done.
The principal supporting business now
is rage. Hatred of the various grays
the mountain sends, hatred of the mill,
The Silver Bill repeal, the best liked girls
who leave each year for Butte. One good
restaurant and bars can't wipe the boredom out.
The 1907 boom, eight going silver mines,
a dance floor built on springs--
all memory resolves itself in gaze,
in panoramic green you know the cattle eat
or two stacks high above the town,
two dead kilns, the huge mill in collapse
for fifty years that won't fall finally down.
Isn't this your life? That ancient kiss
still burning out your eyes? Isn't this defeat
so accurate, the church bell simply seems
a pure announcement: ring and no one comes?
Don't empty houses ring? Are magnesium
and scorn sufficient to support a town,
not just Philipsburg, but towns
of towering blondes, good jazz and booze
the world will never let you have
until the town you came from dies inside?
Say no to yourself. The old man, twenty
when the jail was built, still laughs
although his lips collapse. Someday soon,
he says, I'll go to sleep and not wake up.
You tell him no. You're talking to yourself.
The car that brought you here still runs.
The money you buy lunch with,
no matter where it's mined, is silver
and the girl who serves your food
is slender and her red hair lights the wall.
And another:
Death of the Kapowsin Tavern
I can't ridge it back again from char.
Not one board left. Only ash a cat explores
and shattered glass smoked black and strung
about from the explosion I believe
in the reports. The white school up for sale
for years, most homes abandoned to the rocks
of passing boys--the fire, helped by wind
that blew the neon out six years before,
simply ended lots of ending.
A damn shame. Now, when the night chill
of the lake gets in a troller's bones
where can the troller go for bad wine
washed down frantically with beer?
And when wise men are in style again
will one recount the two-mile glide of cranes
from dead pines or the nameless yellow
flowers thriving in the useless logs,
or dots of light all night about the far end
of the lake, the dawn arrival of the idiot
with catfish--most of all, above the lake
the temple and our sanctuary there?
Nothing dies as slowly as a scene.
The dusty jukebox cracking through
the cackle of a beered-up crone--
wagered wine--sudden need to dance--
these remain in the black debris.
Although I know in time the lake will send
wind black enough to blow it all away.
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