[New-Poetry] Langston Hughes/ W. Dixon, Robert Johnson, etc--
TheOldMole
tad at opus40.org
Sun Jul 2 23:15:44 EDT 2006
The great blues lyrics do stand up on the page, and I've taught them as a
literature, and have a proposal for a book on the literature of the blues
(any academic presses listening?) but what Hughes did was of a different
order. It was different because "Negro music" was not considered real art --
I mean, there wasn't even a debate over it. So Hughes was using the blues
the way Ives or Copland used folk melodies -- with the sense that he was
taking something that wasn't "art," and making "real art" out of it. I don't
think Hughes actually believed this. But it was important to him and the
other Harlem Renaissance artists to be perceived as artists and not folk
curios, and this made a difference in the way that he wrote.
----- Original Message -----
From: "Chris Stroffolino" <cstroffo at earthlink.net>
To: "NewPoetry: Contemporary Poetry News & Views"
<new-poetry at wiz.cath.vt.edu>
Sent: Sunday, July 02, 2006 7:43 PM
Subject: [New-Poetry] Langston Hughes/ W. Dixon, Robert Johnson, etc--
>
> Hey, I got in a really good discussion the other day about Langston
> Hughes' blues poems
> (and yes I know that he recorded quite a few of them) and their
> relationship to the blues lyrics
> of, for instance, the folks above, or John Lee Hooker, Big Mama Thornton,
> Ma Rainey, etc---
>
> And if anybody else here would maybe be interested in talking about that
> relationship here--
> Does it matter that Hughes worked primarily in a different field (in the
> artistic specialization sense) than these other folks?
> Is it somewhat analogous to the difference between, say, million selling
> hip hop artists today vs. a slam poet aesthetic which utilizes many
> devices of rap/hip hop?
> Or, for that matter, even the difference between say Bob Dylan and Allen
> Ginsberg's songs?
>
> There's alot of room for discussion (and, sure, bring on the "blues
> bashers" though I'm definitely trying to
> avoid the tired argument "it doesn't stand up on the page" and will try
> not to engage it here if it comes up)--
> Also, if anybody knows of any good essays on the subject----
> specifically about Hughes and some of the other recorded bluesmen of the
> 20th C---that'd be a nice supplement, but I really am not a big fan of
> posts that just send LINKS
> without any commentary as to why I'm supposed to check out the link......
> a discussion might be nice (but be careful what you ask for, Chris---)
>
> C
>
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