Censorship and Awards

When childrenÕs books make news, it is usually because they have either won an award or because they have been challenged or banned in a library or bookstore. Awards are often given to books that reinforce specific cultural values; books that are challenged are often the ones that challenge societal norms. Often the books that are challenged are also award winners. In both cases, adult concerns, interests and expectations are the driving factors behind these choices.  The purpose of this class is to make students aware of the ideologies behind awards and censorship. The readings have been divided into 12 weeks (instead of the usual length of a semester) because you may choose to have them give presentations on their papers, which is quite time consuming; or you may choose to assign a few additional readings of entire texts, such as a recent award winner or a book frequently or recently challenged in your area.

HELPFUL RESOURCES

Berman, Ruth.  The Kerlan Awards in Children's Literature, 1975-2001. St. Paul, MN: Pogo Press, 2001.

Bostrom, Kathleen Long. Winning Authors: Profiles of the Newbery Medallists.  Westport, CT: Libraries Unlimited, 2003.

Helbig, Alethea and Agnes Perkins. The Phoenix Award of the Children's Literature Association, 1985-1989. Metuchen, N.J: Scarecrow Press, 1993.

Karolides, Nicholas J. Censored Books II: Critical Viewpoints, 1985-2000. Ed. Lanham, Md: Scarecrow Press, 2002.

Lacy, Lyn Ellen. Art and Design in Children's Picture Books: An Analysis of Caldecott Award-Winning Illustrations. Chicago: American Library Association, 1986.

Smith, Henrietta M. The Coretta Scott King Awards, 1970-2004. Chicago : American Library Association, 2004.

Woolman, Bertha and Patricia Litsey. The Caldecott Award : The Winners and the Honor Books. Minneapolis: T.S. Denison, 1988.

Zarnowski, Myra, Richard M. Kerper and Julie M. Jensen. The Best in Children's Nonfiction: Reading, Writing, and Teaching Orbis Pictus Award Books. Urbana, IL: National Council of Teachers of English, 2001.

ASSIGNMENTS

The Newberry Award. Each student will read one Newberry Award winner (the list is available online).  The students will then find three essays or articles discussing the issues in the book, and write a paper synthesizing the articles that he or she found. 

The Caldecott Award.    Each student will choose one Caldecott Award Winner (The List is available online), and will do a reading focusing on how the text interacts with the pictures. Perry NodelmanÕs ÒThe Relationship of Pictures and Words.Ó

Other Award Paper.  There are many other awards given to chidrenÕs books for many different things. Examples include The Coretta Scott King Award, The Phoenix Award, and the Mythopoeic Fantasy Award for ChildrenÕs Literature.

The students will begin by choosing an award that sounds interesting to them, and researching it.  The first part of the paper will explain what the award is given for, who gives the award, how long it has been in existence and anything else that is interesting or important about it.  Then the students will read one book that has received that award, and discuss it in light of the issues that have been brought up in class.

The Challenged Book.  Each student will choose one childrenÕs book that has been challenged or banned somewhere in America. They will research the nature of the challenge, and then, using specific examples from the book as well as other sources, they will explain their own analysis of the text.

READING

Week 1: Introduction

Preface and Introduction to Part 1

ÒOn Three Ways of Writing for ChildrenÓ C. S. Lewis

ÒPrecepts, Pleasures and Portents: Changing Emphases in ChildrenÕs LiteratureÓ Sheila Egoff

Week 2: Historic ideas of Childhood

 ÒOn the Care Which is Requisite in the Choice of Books for ChildrenÓ Sarah Trimmer

ÒOf the Danger of PleasureÓ John Huddlestone Wynne

ÒOde: Intimations of Immortality from Recollections of Early ChildhoodÓ William Wordsworth

 ÒThe Purple Jar,Ó ÒThe Birthday PresentÓ Maria Edgeworth

Week 3: Recent ideas of childhood

ÒLittle Angels, Little Monsters: Keeping Childhood InnocentÓ Marina Warner

ÒDidacticism in Modern DressÓ John Rowe Townsend

ÒA ChildÕs Garden of SubversionÓ Alison Lurie

From The Watsons Go to Birmingham—1963 Christopher Paul Curtis

Week 4: Picture Books

ÒThe Relationship of Pictures and WordsÓ Perry Nodelman

ÒShould We Burn Babar?Ó Herbert R. Kohl

Week 6:  Fantasy

ÒWhy Are Americans Afraid of Dragons?Ó Ursula K. Le Guin

ÒLiking and Not Liking FantasyÓ Perry Nodelman

From The Wizard of Oz L. Frank Baum

From TomÕs Midnight Garden Philippa Pearce

 Week 5: History

ÒRealism and ChildrenÕs Literature: Notes From a Historical PerspectiveÓ Elizabeth Segal

From Adventures of Huckleberry Finn Mark Twain

ÒHuck, ContinuedÓ E. L. Doctrow and David Bradley

ÒReview of The Adventures of Tom SawyerÓ William Dean Howells

From The Adventures of Tom Sawyer Chapter 12, ÒTom Shows His GenerosityÓ Mark Twain

Week 7: History part 2

ÒIs that Book Politically Correct? Truth and Trends in Historical Literature for Young PeopleÓ Hazel Rochman, Masha Kabakow, Diane Stanley

From Little House on the Prairie Laura Ingalls Wilder

ÒTrusting the WordsÓ Michael Dorris

Week 8: History part 3

 ÒInsiders, Outsiders, and the Question of Authenticity: Who Shall Write for African American Children?Ó  Nina Mikkelsen

New Boy in School May Justus

From NobodyÕs Family is Going to Change Louise Fitzhugh

Week  9: Gender, part 1

Introduction to Part 5: ÒBoysÕ Books and GirlsÕ Books: Gender IssuesÓ

ÒÕAs The Twig is BentÉÕ Gender and Childhood ReadingÓ Elizabeth Segal

Fairy Tales ÒCinderella: Saturday Afternoon at the MoviesÓ Louise Bernaikow

ÒCinderella, or the Little Glass SlipperÓ Charles Perrault

ÒAshputtleÓ Jacob and Wilhelm Grimm

Week 10: Gender, part 2

ÒBoys Will be Boys: Six Myths of our TimeÓ Marina Warner

From Treasure Island Robert Louis Stevenson

From The Story of a Bad Boy Thomas Bailey Aldich

Week 11: Sexuality

From ForeverÉ A Novel Judy Blume

From Weetzie Bat Francesca Lia Block

ÒAm I Blue?Ó Bruce Coville

From The Man Without a Face Isabelle Holland

Week 12: Censorship in the Classroom

ÒTeaching Banned ChildrenÕs BooksÓ Mark West

From A Wrinkle in Time Madeline LÕEngle

Week 13: Awarded and Banned: A Case Study

ÒHope and Happy EndingsÓ

From The Great Gilly Hopkins Katherine Paterson

From Jacob Have I Loved Katherine Paterson